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Roots legends Culture produced a sublime set of conscious reggae at The Buttermarket in Shrewsbury UK in 2003, reaffirming Joseph Hill as one of the all time great reggae writers and singers.
Set List:
See Them a Come 00:00
Jah Rastafari 03:41
Behold! 07:24
Cumbolo 11:50
Disobedient Children 16:04
Tell Me Where You Get It 19:28
Lion Rock 25:41
Iron Sharpening Iron 30:00
Zion Gate 35:00
Pass On 40:07
Wings of a Dove 44:00
Stop the Fussing and Fighting 47:51
World Peace 52:02
Money Girl 58:01
Babylon Can't Study 01:02:43
Peace and Love 01:07:23
International Herb/Legalise It 01:13:06
Two Sevens Clash 01:19:30
I'm Not Ashamed 01:28:19
No Sin 01:34:28
Chant Down Babylon 01:43:11
Performance Credits:
Lead Vocals - Joseph Hill
Backing Vocals - Telford Nelson and Albert Walker
With the "Forces of Justice" Band:
Lead Guitar - Robin Armstrong
Keyboards - Christopher Whitley and Ear Michelin
Bass Guitar - Stephen Samuels
Drums - Kenneth Joseph
Production Credits:
Director - Chris Wroe
Producer - Dave Bassett
Cameras - Jenny Wroe, Chris Wroe, Glyn Evans, Chris Jones, Stuart Wassell, Emma Puente
Front of House - Pete Ashton
Post Production - Neil Darbyshire
Photography - Chris Nottingham
Vison Mixer/Editor - Jonathan Tritton
Editor - Murat Yusuf
Sound Engineer - Kenyatta Hill
UK Tour Manager - Wilf Walker
Management - Pauline Hill
Produced as part of "The Live Roots Tours" series in partnership with Ents TV Production, originally released on DVD in 2005. Later licensed for DVD release in South Africa in 2008 with Revolver Records.
Please support Culture on their official online sites:
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© 2005 Rasta Vibration Ltd / Ents TV
#Culture #TheLiveRoutsTours #ReggaeLive #CultureReggae
Culture / International Herb
Live at Reggae On The River 2004
Very nice...KILLER
Culture - Black Man King 1998
From the compilation
Gathering Of The Spirits
Label:Shanachie Records #45040
Format: CD, 1998
Lyrics
What a liberty
What a disrespect, rude
You're taking with Jah people and disturbance them
No respect for His Imperial Majesty
Rule out of order
You must suffer by that, yeah
You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble black man king, white boy
Nuh trouble black man king, yeah
Death is on your shoulder
If you trouble black man king, hey
Death is on your shoulder
If you trouble black man king
Say you nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi touch black man king, white boy
Nuh trouble black man king
Death is on your shoulder
If you trouble black man king, hey
Death is on your shoulder
If you trouble the black man king
You brought I down here, then you slave I
No respect for the sons of Rastafari
You slave I already, and all in your intention, hey
But if you think yu bad army , come, come try it again
What?!
You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble the black man king, white boy
Nuh trouble the black man king
Death is on your shoulder
If you trouble the black man king, aah
Death is on your shoulder
If you trouble the black man king
Just a deal with the people like world police
Behave like those, they don't enjoy
And if you give them a fly in your air Jeep
You just a tell dem they can't enjoy themselves
Thou shall not smoke
You nuh fi touch black man king, white boy
Nuh trouble black man king
You nuh fi trouble black man king, white boy
Nuh trouble black man king
For, death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king
Just the other day, I forward 'round a Trinidad
A sister island to my island, and
Early in the morning I saw my grandmother, whoa
Was forwarding to cane piece to cut sugar again
Nuh bother touch black man king, white boy
Nuh trouble black man king
You nuh fi trouble black man king, white boy
Nuh trouble the black man king
For, death is on your shoulder
If you trouble black man king, again
Death is on your shoulder
If you trouble black man king
Birds have their nest
Foxes have their holes
And the hole some people in, got nowhere to live
Listen me
One hundred acres for ?? and not a free square to live
And that is wrong, you have to have a heart to give
Hear me man
You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble black man king, white boy
Nuh trouble black man king
For, death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king, sinner man
Death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king..
http://atominik.com/SPX
la mejor cancion del grupo culture.
mis hermanos no tengo la traduccion completa pero estoy buscando la letra completa espero y les guste un cachito de lo que pude traducir ok, suerte!! buena vibra bye.
letra de why am i a rastaman?
Una gran pregunta que me plantean diariamente en la humilde calle ... muchos quieren saber la razón por la cual soy Rastaman ... Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman x (2) Lo que se debe a que , de la Babilonia, y la situación, su causa de la Babilonia, y la situación.
Cuando yo era un niño cerca de 8 años,
habia un cierto Rastaman que amaba a todos los niños y te trataba como un hombre. Incluso los niños pequeños que nadie se preocupa por ellos, el pidió a todos, y él nos dio las frutas y el amor especial.
Mucha gente me ve, mucha gente me pregunta,
¿por qué soy Rastaman, por Jah un tipo de amor que dio a todos. Muchas personas me ven, mucha gente me pregunta, ¿por qué soy un Rastaman, no hay mejor manera de expresar mi amor a todos y cada uno.
Un sábado por la mañana, un especial que pasará con este hombre, aquí vienen corrompáis Babylon ... se llevan este Rastaman.
Toda raíz de él, la hierba y la carne de su comida, lo tiran en una camioneta. Hacia arriba hermano un billón de años se llevan al rastaman. (1:55)
(3:32)
Cada ves que yo me pido a todos ¿por qué soy Rastaman, amo a mis hermanos y hermanas y yo no puedo renunciar a todos los hombres ... Yo solía escuchar a golpear el tambor y cantar, estamos en el bosque de tierras ... Todo el mundo me ve todo el mundo me pregunta, ¿por qué soy Rastaman, me encanta el ritmo del sacrificio que nyabinghii de creación.
Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman.
Two Sevens Clash is the debut album by roots reggae band Culture, recorded/produced by Joe Gibbs at his own Joe Gibbs Recording Studio in Kingston in 1976, and released on Gibbs' label in 1977.
The album's title is a reference to the date of July (07) 7, 1977.
Singer Joseph Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.[5][6]
The liner notes of the album read: "One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgment -- when two sevens clash -- when past injustices would be avenged. Lyrics and melodies came into his head as he rode and thus was born the song "Two Sevens Clash" which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977 - the day when sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city."
A very rare and special Culture live performance straight from the RVP video vaults, this is Culture frontman Joseph Hill's last recorded concert at Reggae Sundance just 1 week before his death. The last documented performance of Mr. Joseph Hill is from Reggae Sundance, Genneperparken, Eindhoven in The Netherlands on August 12th , 2006, before his untimely passing on August 19th, 2006.
The reggae legend Joseph Hill was born January 22nd, 1949 and passed on the August 19th, 2006 after collapsing following a performance in Berlin, Germany.
Please support Culture on their official online sites:
https://www.facebook.com/officialculturereggae
http://www.culturereggaeband.com/
🎤Submit your music: https://ffm.link/musicsubmissionrastavibration
Please follow Rasta Vibration on our official online sites:
https://www.facebook.com/RastaVibrationMusic/
https://open.spotify.com/playl....ist/2UPsLSLaxwWjN7Lx
https://www.rvpgroup.net
Subscribe to Rasta Vibration for more:
https://www.youtube.com/channe....l/UCFdSvuyHZwNlQva_W
© 2022 Rasta Vibration Ltd.
#Culture #ReggaeSundance #RastaVibration
1996--For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, Lead vocals and percussion
Albert Walker, Vocals
Ire'land Malomo, Vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, Drums
Anthony 'Lion' Arthur, Bass
Ricky 'Swann' Richardson, Guitars
Noel 'Barry' Aikens, Keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone - Harry T.,percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
GET THEM SOFT
Look how you chaka chaka and rink and mash up
For you nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
You nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
The cocaine ah get them off
Get them soft, get them soft
The cocaine ah get them off
Get them soft, get them soft
Mi say, the cocaine ah get them off
Get them soft, get them soft
As them start to sniff the cocaine
Them no washing them clothes again
Neither clean them boot
Neither wash them dirty foot
Ah wah happen to you master
Look deh round the brethren foot
Like no water no deh, but see yah master
Go ah river yeah. But look how him mother
And father nice and look now him stay sake
Ah the little white powder but is wah do the boy master
Mama give you one black fowl
An it lay one dozen egg
And sake ah the little white powder
The boy sell it off and start to beg
Papa have one big foot truck and
Him left it on the will fi you
Hindering you from turn a thief or
Neither turn a crook
Mama walk through dew water
And try send you to school
So you can learn the golden rule
And when you take a stock
You deh back a school a rude
because
Sometimes I sit and wonder
I wonder where them ambition gone
It seem them ambition turn a dirt
Upon a land
I wonder where your ambition gone
I wonder what you think
I wonder what example you setting for the youth
What them fi think bout you
#Djmurray
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la mejor cancion del grupo culture.
mis hermanos no tengo la traduccion completa pero estoy buscando la letra completa espero y les guste un cachito de lo que pude traducir ok, suerte!! buena vibra bye.
letra de why am i a rastaman?
Una gran pregunta que me plantean diariamente en la humilde calle ... muchos quieren saber la razón por la cual soy Rastaman ... Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman x (2) Lo que se debe a que , de la Babilonia, y la situación, su causa de la Babilonia, y la situación.
Cuando yo era un niño cerca de 8 años,
habia un cierto Rastaman que amaba a todos los niños y te trataba como un hombre. Incluso los niños pequeños que nadie se preocupa por ellos, el pidió a todos, y él nos dio las frutas y el amor especial.
Mucha gente me ve, mucha gente me pregunta,
¿por qué soy Rastaman, por Jah un tipo de amor que dio a todos. Muchas personas me ven, mucha gente me pregunta, ¿por qué soy un Rastaman, no hay mejor manera de expresar mi amor a todos y cada uno.
Un sábado por la mañana, un especial que pasará con este hombre, aquí vienen corrompáis Babylon ... se llevan este Rastaman.
Toda raíz de él, la hierba y la carne de su comida, lo tiran en una camioneta. Hacia arriba hermano un billón de años se llevan al rastaman. (1:55)
(3:32)
Cada ves que yo me pido a todos ¿por qué soy Rastaman, amo a mis hermanos y hermanas y yo no puedo renunciar a todos los hombres ... Yo solía escuchar a golpear el tambor y cantar, estamos en el bosque de tierras ... Todo el mundo me ve todo el mundo me pregunta, ¿por qué soy Rastaman, me encanta el ritmo del sacrificio que nyabinghii de creación.
Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman.
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The Street King
For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone-Harry T, percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
SLICE OF MOUNT ZION
A slice of Mt. Zion is for I
A slice of Mt. Zion is for I
I pray to Jah honestly
To please let me live honestly
Love my brother that's all I need
I need no riches just harmony
I'm willing Jah to lay down
At Zion doorway like a foot mat
Even the saints of Zion
Trod upon my back and enter in
I pray every day to see
The falling of the wicked man
I know that wickedness will prevail
But only for a little while
Cannot go to Zion with your force
Have manners and enter in Jah House
You cannot live here with your big gun
All you got to do is help me pray
Let's kneel on our knees and clasp our hands
And say Father please help me
Children having children
Poverty upon the door
I've seen white squall
Walking on the street
With man under arrest (yeah)
Satan is around us like a roaring lion
Seeking Jah children to devour all the days of our lives
Like a hungry eagle
Flying through the sky
Seeking form and soul to devour
But don't let him catch us
Give me strength oh Jah I pray
With thy manna up from Mt. Zion
And no one can give satisfaction
But thee alone
Sit up on thy throne and
Pardon our transgression
Stretch forth pity to thy children
In the morning sun
A slice of Mt. Zion is for
A slice of Mt. Zion belong to
A slice of Mt. Zion is for
Provided to YouTube by Virgin Music Group
Wings Of A Dove · Culture
Wings Of A Dove
℗ 2005 Shanachie
Released on: 1992-06-15
Writer: Culture
Auto-generated by YouTube.
Look how you chaka chaka and wreck and mash up
For you nuh hear me weh de Rastaman say Say you nuh fi sniff no cocaine down deh
You nuh hear me weh de Rastaman say Say you nuh fi sniff no cocaine down deh
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Mi say, the cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
As them start to sniff the cocaine, Them no washing them clothes again
Neither clean them boot, mi God Neither wash them dirty foot, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Ah wah happen to you master, Heh hey, hey
Look deh round the brethren foot Like no water no deh, but see yah Master, go ah river yah
But look how him mother and him father Nice and look how him stay sake They got a little white powder But is wah do the boy, master
Mama give you one black fowl, And it lay one dozen egg
And sake ah the little white powder, The boy sell it off and start to beg, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Papa have one big foot truck And him left it on the will fi you
Hindering you from turn a thief Or neither turn a crook, hey, hey
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Mama walk through dew water And try to send you to school
So you can learn the golden rule And when you take a stock You deh back a school a rude, because
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, then get them soft
Sometimes I sit and wonder I wonder where dem ambition gone
It seem their ambition Turn a dirt upon a land, Lord
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The Land We Belong (2001 Digital Remaster) · Culture
International Herb
℗ 2001 Virgin Records Limited
Released on: 2001-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
Auto-generated by YouTube.
