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Autobiography
Joseph Hill was born in the rural Jamaican parish of St. Catherine in 1949, Hill began his musical career in the late 1960s as a percussionist. As the Rastafarian influence on reggae grew in the 1970s, he formed Culture and remained its driving force through more than 30 albums.
One of reggae's most enduring bands, Culture was led by Hill for three decades. He penned the group's best-known songs, including "Two Sevens Clash," "Natty Never Get Weary" and "I'm Not Ashamed."
Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Pan-Africanist Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.
Joseph Hill, lead vocalist and songwriter for traditional roots reggae group Culture, died on 19 August 2006. He was 57. Hill abruptly fell ill and died in Berlin while the group were in the middle of a European tour, according to his daughter Andrea. She did not know the cause of death.
In 2005, the singer, a devout Rastafarian, was honored by the Jamaican government for his contribution to the island nation's culture
Playlist
1. Culture - international herb
2. Culture - Disobedient children
3. Culture - Down in jamaica
4. Culture - I'm not ashamed
5. Culture - callie weed song
6. Culture - two sevens clash
7. Culture - its hard to live
8. Culture - tell me where you get it
9. Culture - black starliner
10. Culture - zion gate
11. Culture - poor people
12. Culture - legalization
13. Culture - outcast
14. Culture - long day a bwal
15. Culture - old tatoo
16. Culture - jah rastafari
17. Culture - one grandson
18. Culture - peace and love
19. Culture - satan company
20. Culture - wings of dove
21. Culture - five to one strip
22. Culture - lion rock
23. Culture - tribal war
24. Culture - money girl
25. Culture - walk in jah light
26. Culture - why am rastaman
27. Culture - humble africa
28. Culture - blackman king
29. Culture - poverty
30. Culture - How did i stray
31. Culture - have have
32. Culture - revolution time
33. Culture - fussing and fighting
34. Culture - be honest
35. Culture - riverside
36. Culture - peace love and harmony
37. Culture - mr sluggard
38. Culture - stone
39. Culture - Cousin rude boy
40. Culture - marcus
41. Culture - a slice of mount zion
42. Culture - addis ababa
#dj_denno #culture #reggae_roots
best of culture
best of culture video mix
culture mix
Joseph hill mix
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Cette vidéo a été publiée par G. Mickaël... pour vous satisfaire.
Culture-Why Worry About Them
#lyrics #culture #reggaelyrics #christian #god #jah
Bring Back The Money - Culture (Lyrics Video)
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Behold (2000 Digital Remaster) · Culture
Harder Than The Rest
℗ 2000 Virgin Records Limited
Released on: 2000-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
Composer: Lloyd Dayes
Composer: Albert Walker
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The Street King
Two Sevens Clash is the debut album by roots reggae band Culture, recorded/produced by Joe Gibbs at his own Joe Gibbs Recording Studio in Kingston in 1976, and released on Gibbs' label in 1977.
The album's title is a reference to the date of July (07) 7, 1977.
Singer Joseph Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.[5][6]
The liner notes of the album read: "One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgment -- when two sevens clash -- when past injustices would be avenged. Lyrics and melodies came into his head as he rode and thus was born the song "Two Sevens Clash" which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977 - the day when sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city."
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JAH BLESS! 💚💛❤️👌🔥
http://atominik.com/SPX
la mejor cancion del grupo culture.
mis hermanos no tengo la traduccion completa pero estoy buscando la letra completa espero y les guste un cachito de lo que pude traducir ok, suerte!! buena vibra bye.
letra de why am i a rastaman?
Una gran pregunta que me plantean diariamente en la humilde calle ... muchos quieren saber la razón por la cual soy Rastaman ... Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman x (2) Lo que se debe a que , de la Babilonia, y la situación, su causa de la Babilonia, y la situación.
Cuando yo era un niño cerca de 8 años,
habia un cierto Rastaman que amaba a todos los niños y te trataba como un hombre. Incluso los niños pequeños que nadie se preocupa por ellos, el pidió a todos, y él nos dio las frutas y el amor especial.
Mucha gente me ve, mucha gente me pregunta,
¿por qué soy Rastaman, por Jah un tipo de amor que dio a todos. Muchas personas me ven, mucha gente me pregunta, ¿por qué soy un Rastaman, no hay mejor manera de expresar mi amor a todos y cada uno.
Un sábado por la mañana, un especial que pasará con este hombre, aquí vienen corrompáis Babylon ... se llevan este Rastaman.
Toda raíz de él, la hierba y la carne de su comida, lo tiran en una camioneta. Hacia arriba hermano un billón de años se llevan al rastaman. (1:55)
(3:32)
Cada ves que yo me pido a todos ¿por qué soy Rastaman, amo a mis hermanos y hermanas y yo no puedo renunciar a todos los hombres ... Yo solía escuchar a golpear el tambor y cantar, estamos en el bosque de tierras ... Todo el mundo me ve todo el mundo me pregunta, ¿por qué soy Rastaman, me encanta el ritmo del sacrificio que nyabinghii de creación.
Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman.
Reggae Culture Mix
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Provided to YouTube by Universal Music Group
Jah Rastafari (2001 Digital Remaster) · Culture
International Herb
℗ 2001 Virgin Records Limited
Released on: 2001-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
Auto-generated by YouTube.
During the Denkproducties seminar 'Purpose Driven Leadership' Simon Sinek talked about how to start a cultural transformation in your organization.
The biggest mistake that companies make when trying to make cultural transformations is treating it like a marketing campaign. There's a model you can use to help make big changes from starting small.
More information: denkproducties.nl/experts/simon-sinek
culture
cumbolo
reggae
Best Songs of Culture (Joseph Hill) - The Best of Joseph Hill Culture #reggae #bobmarley #culture
Best Songs of Culture (Joseph Hill) - The Best of Joseph Hill Culture #reggae #bobmarley #culture
Best Songs of Culture (Joseph Hill) - The Best of Joseph Hill Culture #reggae #bobmarley #culture
Tracklist
See Them a Come 00:00
Jah Rastafari 03:41
Behold! 07:24
Cumbolo 11:50
Disobedient Children 16:04
Tell Me Where You Get It 19:28
Lion Rock 25:41
Iron Sharpening Iron 30:00
Zion Gate 35:00
Pass On 40:07
Wings of a Dove 44:00
Stop the Fussing and Fighting 47:51
World Peace 52:02
Money Girl 58:01
Babylon Can't Study 01:02:43
Peace and Love 01:07:23
International Herb/Legalise It 01:13:06
Two Sevens Clash 01:19:30
I'm Not Ashamed 01:28:19
No Sin 01:34:28
Chant Down Babylon 01:43:11
#culture
#bobmarley
#reggaemusic
#reggaesongs
#bob
#marley
#Djmurray
REGGAE CULTRUE MIX 2023: REGGAE UPLIFTMENT CULTRUE MIX 2023
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1996--For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, Lead vocals and percussion
Albert Walker, Vocals
Ire'land Malomo, Vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, Drums
Anthony 'Lion' Arthur, Bass
Ricky 'Swann' Richardson, Guitars
Noel 'Barry' Aikens, Keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone - Harry T.,percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
GET THEM SOFT
Look how you chaka chaka and rink and mash up
For you nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
You nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
The cocaine ah get them off
Get them soft, get them soft
The cocaine ah get them off
Get them soft, get them soft
Mi say, the cocaine ah get them off
Get them soft, get them soft
As them start to sniff the cocaine
Them no washing them clothes again
Neither clean them boot
Neither wash them dirty foot
Ah wah happen to you master
Look deh round the brethren foot
Like no water no deh, but see yah master
Go ah river yeah. But look how him mother
And father nice and look now him stay sake
Ah the little white powder but is wah do the boy master
Mama give you one black fowl
An it lay one dozen egg
And sake ah the little white powder
The boy sell it off and start to beg
Papa have one big foot truck and
Him left it on the will fi you
Hindering you from turn a thief or
Neither turn a crook
Mama walk through dew water
And try send you to school
So you can learn the golden rule
And when you take a stock
You deh back a school a rude
because
Sometimes I sit and wonder
I wonder where them ambition gone
It seem them ambition turn a dirt
Upon a land
I wonder where your ambition gone
I wonder what you think
I wonder what example you setting for the youth
What them fi think bout you
