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A very nice stage show performance in Negril, Jamaica, by Joseph Hill & Culture.
Joseph Hill (22 January 1949 – 19 August 2006) was the lead singer and songwriter for the roots reggae group Culture, most famous for their 1977 hit "Two Sevens Clash", but also well known for their "International Herb" single. Hill recorded twenty-two albums.
Joseph Hill was born in St. Catherine, Jamaica, and began his musical career as a percussionist in the late 1960s with the popular studio band, Soul Defenders. As Rastafarianism's influence on reggae grew in the 1970s Mr. Hill formed the roots-reggae group, Culture, releasing more than 30 albums. He wrote the group's best-known songs including "Two Sevens Clash," "Natty Never Get Weary" and "I'm Not Ashamed". "Two Sevens Clash" (Sly & Robbie played on the recording) is considered one of the most influential reggae records. The song was based on a prediction by Marcus Garvey, the pan-Africanist, who said that chaos would occur when the 'sevens' met -- July 7, 1977. The outcome was similar to Orson Welles & The Mercury Theatre's radio broadcast of 'War Of The Worlds' -- many Jamaican businesses and schools closed their doors on that day.
During the seventies, the group had a string of highly successful singles for producers Joe Gibbs and Sonia Pottinger including the song 'Two Sevens Clash' which made its mark on both Jamaica and the United Kingdom. It was named by Rolling Stone magazine in 2002 as one of the '50 Coolest Records', the only single artist reggae album to make the list. The group also had a hit with 'Stop Fussing and Fighting', a song that addressed the chaotic political climate of the late 1970s and the attempt on Bob Marley's life.
Joseph Hill and Culture developed a reputation as a performing group after a performance at the 'One Love Peace Concert' in 1978 and was soon regularly touring the United States, Europe, and Africa. In recent years the group continued to perform at least one hundred concerts each year, with Hill's wife Pauline as road manager. Hill was a presence on stage: part DJ as he directed his band to reconfigure songs on stage and part teacher as he commented on Jamaican history and current political issues. In his lyrics, Hill often explored how the legacy of slavery continued to have an influence on Jamaican citizens.
Hill had received a number of honours; an induction into the Jamaican Reggae Walk of Fame and a 2005 Independence Award presented by the Prime Minister of Jamaica. In 2005 he received the Culture Shock Bronze Medal in recognition of his contribution to Jamaican music.
Joseph Hill died on a tour bus just after entering Berlin on 19 August 2006. At his funeral in September 2006, Hill was eulogized by, amongst others, Jamaican Prime Minister Portia Simpson Miller who recognized his contributions to Jamaican culture.
His son Kenyatta subsequently took over his role in Culture.
1996--For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, Lead vocals and percussion
Albert Walker, Vocals
Ire'land Malomo, Vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, Drums
Anthony 'Lion' Arthur, Bass
Ricky 'Swann' Richardson, Guitars
Noel 'Barry' Aikens, Keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone - Harry T.,percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
GET THEM SOFT
Look how you chaka chaka and rink and mash up
For you nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
You nuh hear me wah de Rastaman say
Say you nuh fi sniff no cocaine down deh
The cocaine ah get them off
Get them soft, get them soft
The cocaine ah get them off
Get them soft, get them soft
Mi say, the cocaine ah get them off
Get them soft, get them soft
As them start to sniff the cocaine
Them no washing them clothes again
Neither clean them boot
Neither wash them dirty foot
Ah wah happen to you master
Look deh round the brethren foot
Like no water no deh, but see yah master
Go ah river yeah. But look how him mother
And father nice and look now him stay sake
Ah the little white powder but is wah do the boy master
Mama give you one black fowl
An it lay one dozen egg
And sake ah the little white powder
The boy sell it off and start to beg
Papa have one big foot truck and
Him left it on the will fi you
Hindering you from turn a thief or
Neither turn a crook
Mama walk through dew water
And try send you to school
So you can learn the golden rule
And when you take a stock
You deh back a school a rude
because
Sometimes I sit and wonder
I wonder where them ambition gone
It seem them ambition turn a dirt
Upon a land
I wonder where your ambition gone
I wonder what you think
I wonder what example you setting for the youth
What them fi think bout you
Look how you chaka chaka and wreck and mash up
For you nuh hear me weh de Rastaman say Say you nuh fi sniff no cocaine down deh
You nuh hear me weh de Rastaman say Say you nuh fi sniff no cocaine down deh
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Mi say, the cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
As them start to sniff the cocaine, Them no washing them clothes again
Neither clean them boot, mi God Neither wash them dirty foot, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Ah wah happen to you master, Heh hey, hey
Look deh round the brethren foot Like no water no deh, but see yah Master, go ah river yah
But look how him mother and him father Nice and look how him stay sake They got a little white powder But is wah do the boy, master
Mama give you one black fowl, And it lay one dozen egg
And sake ah the little white powder, The boy sell it off and start to beg, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Papa have one big foot truck And him left it on the will fi you
Hindering you from turn a thief Or neither turn a crook, hey, hey
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft
Mama walk through dew water And try to send you to school
So you can learn the golden rule And when you take a stock You deh back a school a rude, because
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, get them soft, Lord
The cocaine ah get them off, Get them soft, get them soft
The cocaine ah get them off, Get them soft, then get them soft
Sometimes I sit and wonder I wonder where dem ambition gone
It seem their ambition Turn a dirt upon a land, Lord
Provided to YouTube by Universal Music Group
Forward To Africa · Culture
Lion Rock
℗ 1988 Rounder Records, a division of Concord Music Group, Inc.
Released on: 1982-01-01
Producer, Recording Producer, Associated Performer, Percussion, Vocals, Background Vocalist: Joseph Hill
Studio Personnel, Recording Engineer: Christopher Daley
Associated Performer, Guitar: Freddie Fatstring
Associated Performer, Guitar, Background Vocalist: Jah Privie
Associated Performer, Electric Bass: Sezz Walker
Associated Performer, Drums: Lewis Daley
Associated Performer, Keyboards, Background Vocalist: Vin Morgan
Associated Performer, Trombone: Evrol Gayle
Associated Performer, Trumpet: Sparrow
Associated Performer, Saxophone: L.A. Green
Producer, Executive Producer: Peter Bell
Composer Lyricist: Joseph Hill
Auto-generated by YouTube.
Provided to YouTube by Virgin Music Group
Wings Of A Dove · Culture
Wings Of A Dove
℗ 2005 Shanachie
Released on: 1992-06-15
Writer: Culture
Auto-generated by YouTube.
DOWNLOAD / STREAM ➤ https://orcd.co/culture
Culture is a Jamaican roots reggae group founded in 1976 originally known as the African Disciples. Up until his death in 2006 Joseph Hill remained the groups founding (and original) member. Garnering regular US and international acclaim for its long series of classic “roots” Culture were chosen as 1977 's 'Reggae Album of the Year' (“Two Sevens Clash”) and is acknowledged by Rolling Stone as the 25th best album of all time (as of 2002).
CULTURE
http://www.culturereggaeband.com
https://www.facebook.com/officialculturereggae
https://www.facebook.com/Cultu....refeaturingKenyattaH
Management: Pauline Hill
NEXT MUSIC
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P&C 2023 Revolver Records
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#rootsreggae #culture #reggae
For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals
Performed by Dub Mystic
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards
Also featuring
Dean Fraser, sax
Chico, trumpet
Nambo Robinson, trombone
Vin Gordon, trombone
Harry T, percussion
Tony 'Asher' Brisset, keyboards
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
TRIBAL WAR
Tribal war can't solve the problem
Tribal war can't solve it at all
Just the other day I forward down a river side
Nuh fi go check Granny a scrub some clothes
As she smoke up her herb in her little chalk pipe
She say "Chah, not even the soap nah sudd again"
The other day I saw a ladies war
They were planning to march up to such house
They said they're not getting any justice in the kitchen
So they plan to make a big war with their big spoon
I said ladies where are you going
They said I'm going to stand up and fight for my rights
Another time I saw a youth man
With an M-16 just lying on his back
I said youth man tell me where are you going
He said "I'm going to stand up and fight for my rights"
We should live in love
War can't do a thing
The arms of gun is helpless
Fathers against son
Countries against countries
What we need is love
For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone-Harry T, percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
SLICE OF MOUNT ZION
A slice of Mt. Zion is for I
A slice of Mt. Zion is for I
I pray to Jah honestly
To please let me live honestly
Love my brother that's all I need
I need no riches just harmony
I'm willing Jah to lay down
At Zion doorway like a foot mat
Even the saints of Zion
Trod upon my back and enter in
I pray every day to see
The falling of the wicked man
I know that wickedness will prevail
But only for a little while
Cannot go to Zion with your force
Have manners and enter in Jah House
You cannot live here with your big gun
All you got to do is help me pray
Let's kneel on our knees and clasp our hands
And say Father please help me
Children having children
Poverty upon the door
I've seen white squall
Walking on the street
With man under arrest (yeah)
Satan is around us like a roaring lion
Seeking Jah children to devour all the days of our lives
Like a hungry eagle
Flying through the sky
Seeking form and soul to devour
But don't let him catch us
Give me strength oh Jah I pray
With thy manna up from Mt. Zion
And no one can give satisfaction
But thee alone
Sit up on thy throne and
Pardon our transgression
Stretch forth pity to thy children
In the morning sun
A slice of Mt. Zion is for
A slice of Mt. Zion belong to
A slice of Mt. Zion is for
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SÓ TRACK BOA | AS MELHORES TRACKS DE 2022 | SET VINTAGE CULTURE, ALOK, KVSH & FANCY INC
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![Culture: Best Of Culture Video Mix [ Joseph hill ] Roots Reggae Mix - Dj Dennoh](https://i.ytimg.com/vi/dGBkixbh7Ak/mqdefault.jpg)
Download Full Audio:
https://hearthis.at/deejay-den....noh/culture-best-of-
Autobiography
Joseph Hill was born in the rural Jamaican parish of St. Catherine in 1949, Hill began his musical career in the late 1960s as a percussionist. As the Rastafarian influence on reggae grew in the 1970s, he formed Culture and remained its driving force through more than 30 albums.
One of reggae's most enduring bands, Culture was led by Hill for three decades. He penned the group's best-known songs, including "Two Sevens Clash," "Natty Never Get Weary" and "I'm Not Ashamed."
Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Pan-Africanist Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.
Joseph Hill, lead vocalist and songwriter for traditional roots reggae group Culture, died on 19 August 2006. He was 57. Hill abruptly fell ill and died in Berlin while the group were in the middle of a European tour, according to his daughter Andrea. She did not know the cause of death.
In 2005, the singer, a devout Rastafarian, was honored by the Jamaican government for his contribution to the island nation's culture
Playlist
1. Culture - international herb
2. Culture - Disobedient children
3. Culture - Down in jamaica
4. Culture - I'm not ashamed
5. Culture - callie weed song
6. Culture - two sevens clash
7. Culture - its hard to live
8. Culture - tell me where you get it
9. Culture - black starliner
10. Culture - zion gate
11. Culture - poor people
12. Culture - legalization
13. Culture - outcast
14. Culture - long day a bwal
15. Culture - old tatoo
16. Culture - jah rastafari
17. Culture - one grandson
18. Culture - peace and love
19. Culture - satan company
20. Culture - wings of dove
21. Culture - five to one strip
22. Culture - lion rock
23. Culture - tribal war
24. Culture - money girl
25. Culture - walk in jah light
26. Culture - why am rastaman
27. Culture - humble africa
28. Culture - blackman king
29. Culture - poverty
30. Culture - How did i stray
31. Culture - have have
32. Culture - revolution time
33. Culture - fussing and fighting
34. Culture - be honest
35. Culture - riverside
36. Culture - peace love and harmony
37. Culture - mr sluggard
38. Culture - stone
39. Culture - Cousin rude boy
40. Culture - marcus
41. Culture - a slice of mount zion
42. Culture - addis ababa
#dj_denno #culture #reggae_roots
best of culture
best of culture video mix
culture mix
Joseph hill mix
::::::::::::::: Dj Dennoh The Spin Tichaa ::::::::::::
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Cette vidéo a été publiée par G. Mickaël... pour vous satisfaire.
Culture-Why Worry About Them
#lyrics #culture #reggaelyrics #christian #god #jah
Provided to YouTube by Universal Music Group
Behold (2000 Digital Remaster) · Culture
Harder Than The Rest
℗ 2000 Virgin Records Limited
Released on: 2000-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
Composer: Lloyd Dayes
Composer: Albert Walker
Auto-generated by YouTube.
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The Street King
Two Sevens Clash is the debut album by roots reggae band Culture, recorded/produced by Joe Gibbs at his own Joe Gibbs Recording Studio in Kingston in 1976, and released on Gibbs' label in 1977.
The album's title is a reference to the date of July (07) 7, 1977.
Singer Joseph Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.[5][6]
The liner notes of the album read: "One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgment -- when two sevens clash -- when past injustices would be avenged. Lyrics and melodies came into his head as he rode and thus was born the song "Two Sevens Clash" which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977 - the day when sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city."
