Two Sevens Clash is the debut album by roots reggae band Culture, recorded/produced by Joe Gibbs at his own Joe Gibbs Recording Studio in Kingston in 1976, and released on Gibbs' label in 1977.
The album's title is a reference to the date of July (07) 7, 1977.

Singer Joseph Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.[5][6]

The liner notes of the album read: "One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgment -- when two sevens clash -- when past injustices would be avenged. Lyrics and melodies came into his head as he rode and thus was born the song "Two Sevens Clash" which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977 - the day when sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city."

http://atominik.com/SPX

la mejor cancion del grupo culture.
mis hermanos no tengo la traduccion completa pero estoy buscando la letra completa espero y les guste un cachito de lo que pude traducir ok, suerte!! buena vibra bye.

letra de why am i a rastaman?

Una gran pregunta que me plantean diariamente en la humilde calle ... muchos quieren saber la razón por la cual soy Rastaman ... Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman x (2) Lo que se debe a que , de la Babilonia, y la situación, su causa de la Babilonia, y la situación.
Cuando yo era un niño cerca de 8 años,
habia un cierto Rastaman que amaba a todos los niños y te trataba como un hombre. Incluso los niños pequeños que nadie se preocupa por ellos, el pidió a todos, y él nos dio las frutas y el amor especial.

Mucha gente me ve, mucha gente me pregunta,
¿por qué soy Rastaman, por Jah un tipo de amor que dio a todos. Muchas personas me ven, mucha gente me pregunta, ¿por qué soy un Rastaman, no hay mejor manera de expresar mi amor a todos y cada uno.
Un sábado por la mañana, un especial que pasará con este hombre, aquí vienen corrompáis Babylon ... se llevan este Rastaman.
Toda raíz de él, la hierba y la carne de su comida, lo tiran en una camioneta. Hacia arriba hermano un billón de años se llevan al rastaman. (1:55)

(3:32)
Cada ves que yo me pido a todos ¿por qué soy Rastaman, amo a mis hermanos y hermanas y yo no puedo renunciar a todos los hombres ... Yo solía escuchar a golpear el tambor y cantar, estamos en el bosque de tierras ... Todo el mundo me ve todo el mundo me pregunta, ¿por qué soy Rastaman, me encanta el ritmo del sacrificio que nyabinghii de creación.

Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman.

Artiste : CULTURE
Album : Harder than the rest
titre : Behold
Enjoy

posted for people not profit.enjoy

Joseph (culture) Hill
(January 22, 1949 - August 19, 2006)

All best tracks of Joseph Hill (Culture) #josephhill #reggaemusic #rootmusic #culture

http://www.reggaesundance.nl

Straight from the Vault of Reggae Sundance:
The last recorded performance of Mr. Joseph Hill before his passing at Reggae Sundance, Genneperparken, Eindhoven The Netherlands, [August 12, 2006]
Edited by @worldareggae

Very nice...KILLER
Culture - Black Man King 1998
From the compilation
Gathering Of The Spirits
Label:Shanachie Records #45040
Format: CD, 1998
Lyrics

What a liberty
What a disrespect, rude
You're taking with Jah people and disturbance them
No respect for His Imperial Majesty
Rule out of order
You must suffer by that, yeah

You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble black man king, white boy
Nuh trouble black man king, yeah

Death is on your shoulder
If you trouble black man king, hey
Death is on your shoulder
If you trouble black man king

Say you nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi touch black man king, white boy
Nuh trouble black man king

Death is on your shoulder
If you trouble black man king, hey
Death is on your shoulder
If you trouble the black man king

You brought I down here, then you slave I
No respect for the sons of Rastafari
You slave I already, and all in your intention, hey
But if you think yu bad army , come, come try it again
What?!

You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble the black man king, white boy
Nuh trouble the black man king

Death is on your shoulder
If you trouble the black man king, aah
Death is on your shoulder
If you trouble the black man king

Just a deal with the people like world police
Behave like those, they don't enjoy
And if you give them a fly in your air Jeep
You just a tell dem they can't enjoy themselves
Thou shall not smoke

You nuh fi touch black man king, white boy
Nuh trouble black man king
You nuh fi trouble black man king, white boy
Nuh trouble black man king

For, death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king

Just the other day, I forward 'round a Trinidad
A sister island to my island, and
Early in the morning I saw my grandmother, whoa
Was forwarding to cane piece to cut sugar again

Nuh bother touch black man king, white boy
Nuh trouble black man king
You nuh fi trouble black man king, white boy
Nuh trouble the black man king

For, death is on your shoulder
If you trouble black man king, again
Death is on your shoulder
If you trouble black man king

Birds have their nest
Foxes have their holes
And the hole some people in, got nowhere to live
Listen me
One hundred acres for ?? and not a free square to live
And that is wrong, you have to have a heart to give
Hear me man

You nuh fi trouble black man king, white boy
Nuh trouble black man king
Nuh fi trouble black man king, white boy
Nuh trouble black man king

For, death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king, sinner man

Death is on your shoulder
If you trouble black man king, yeah
Death is on your shoulder
If you trouble black man king..

Culture / International Herb

Live at Reggae On The River 2004

C U L T U R E - AVAILABLE NOW
►Merch: http://flyt.it/CULTUREmerchstore
►Spotify: http://flyt.it/CULTUREsp
►iTunes: http://flyt.it/CULTURE
►Apple Music: http://flyt.it/CULTUREap
►Amazon Music: http://flyt.it/CULTUREam
►Google Play: http://flyt.it/CULTUREgp
--
Follow:
http://www.twitter.com/migos
http://instagram.com/migos
https://www.facebook.com/THEMigosAtl

Written,arranged and produced by Joseph "Culture" Hill.
Lead vocals by Joseph Hill
Vocals by Albert Walker

Played by Dub Mystic.
Dexter Valmond - Bass
Dean Pond - Bass
Noel Ricky Richardson - Guitar
Aikens - Keyboards
Chris Whitley - Keyboards

Additional Musician:
Dean Pond - Percussion

Also featuring:
Dean Fraser - Sax
David Madden - Trumpet

Recorded at Mixing Lab,Kingston,Jamaica.
Engineered by Fathead & Carrot

Mixed at Lion & Fox Studio by Jim Fox.

Tafari Music / Ascap - 1997

RIVERSIDE
Where is the love to be found, oh People? Nowhere around
For I woke on Saturday morning
Feeling sticky and dirty after work
Took a walk down a Riverside
I roll a little spliff
Sat down a stone and start to cool off
With my burden down the Riverside
For I check around the youth
And I try to teach the truth

Chorus:
Lay their burden on the Riverside
I walk through every corner
Try to find someone to talk to but I have to
/chorus/
For I walk and I talk
And I linger and I search
/chorus/
And I walk , I met the youthman Pocket
And I try to search around them
/chorus/
And I sat down quietly, Watch the fishes circle around the little stones
/chorus/
I cup my ears and I heard the little birds whistling in the tree likee so
/chorus/
Live good among your neighbor like sister and brother and come with me a Riverside
All you need is pray to Jah, quietly
You see secret shall be revealed
/chorus/
Jah provides for the birds in the air and the fishes in the sea so what about me
/chorus/
Look at the crow they toil not neither do they spin
Yet father provide for them
/chorus/
Let uss walk and talk and pray quietly in search
/chorus/
Look at the color of those clothes, oh Jah
Make each and every one individually
/chorus/
Where is the love? Where is the togetherness too?
/chorus/
I can't take the war and I can't take the shooting
Neither the looting, just
/chorus/
I tried around Rema, even in The Jungle
To find a quiet rest
Round there in a Nannyville, my heart come to a trail
/chorus/
And I Knock, and I search, and I whisper and I preach
/chorus/
Where is the quietness and the love to be found in some corner?
/chorus/
Let us walk, let us search, let us examine and let us see
/chorus

Roots legends Culture produced a sublime set of conscious reggae at The Buttermarket in Shrewsbury UK in 2003, reaffirming Joseph Hill as one of the all time great reggae writers and singers.

Set List:
See Them a Come 00:00
Jah Rastafari 03:41
Behold! 07:24
Cumbolo 11:50
Disobedient Children 16:04
Tell Me Where You Get It 19:28
Lion Rock 25:41
Iron Sharpening Iron 30:00
Zion Gate 35:00
Pass On 40:07
Wings of a Dove 44:00
Stop the Fussing and Fighting 47:51
World Peace 52:02
Money Girl 58:01
Babylon Can't Study 01:02:43
Peace and Love 01:07:23
International Herb/Legalise It 01:13:06
Two Sevens Clash 01:19:30
I'm Not Ashamed 01:28:19
No Sin 01:34:28
Chant Down Babylon 01:43:11

Performance Credits:
Lead Vocals - Joseph Hill
Backing Vocals - Telford Nelson and Albert Walker
With the "Forces of Justice" Band:
Lead Guitar - Robin Armstrong
Keyboards - Christopher Whitley and Ear Michelin
Bass Guitar - Stephen Samuels
Drums - Kenneth Joseph

Production Credits:
Director - Chris Wroe
Producer - Dave Bassett
Cameras - Jenny Wroe, Chris Wroe, Glyn Evans, Chris Jones, Stuart Wassell, Emma Puente
Front of House - Pete Ashton
Post Production - Neil Darbyshire
Photography - Chris Nottingham
Vison Mixer/Editor - Jonathan Tritton
Editor - Murat Yusuf
Sound Engineer - Kenyatta Hill
UK Tour Manager - Wilf Walker
Management - Pauline Hill

Produced as part of "The Live Roots Tours" series in partnership with Ents TV Production, originally released on DVD in 2005. Later licensed for DVD release in South Africa in 2008 with Revolver Records.

Please support Culture on their official online sites:
https://www.facebook.com/officialculturereggae
http://www.culturereggaeband.com/

🎤Submit your music: https://ffm.link/musicsubmissionrastavibration

Please follow Rasta Vibration on our official online sites:
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Subscribe to Rasta Vibration for more: https://www.youtube.com/channe....l/UCFdSvuyHZwNlQva_W

© 2005 Rasta Vibration Ltd / Ents TV

#Culture #TheLiveRoutsTours #ReggaeLive #CultureReggae

Rare version of Zion Gate.
From the album: Stronger Than Ever

:)

For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals

Performed by Dub Mystic
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards

Also featuring
Dean Fraser, sax
Chico, trumpet
Nambo Robinson, trombone
Vin Gordon, trombone
Harry T, percussion
Tony 'Asher' Brisset, keyboards

Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox

ONE STONE
Hold not Thy peace oh God of my salvation
Because the mouth of the wicked and deceitful is open

Rastaman throw one big stone
And it brings a bad feeling to all wicked men
Natty man throw one stone
And it bring a bad feeling to all wicked men

Only when man like Marcus Garvey speak
Wicked men would ah hear
Instead of that they only sit and and rob and cheat
And oppress the poor

Nyabinghi throw one stone
And it bring a bad feeling to all wicked men
Binghiman throw one stone
And it bring a bad feeling to all wicked men

If Rasta make a progressive move
Wicked men a red eye
All they want to see
The days when they can send out Rasta
Can't bend I out, I send out Babylon

Binghiman throw one stone
And it bring a bad feeling to all wicked men

Things change, the table is turned
And you'll have to live, and live and learn

President Mandela was in prison
For twenty add years
And he leave from the prison
And take the seat of the president
Stone one

Binghiman we throw one stone
And it bring a bad feeling in a Africa
Binghiman we throw one stone
And it bring a bad feeling in a European land

He have eyes to see let them see
He who have ears to hear, let them hear
What the prophet of the land say

Truthful, one throw one stone
And it bring a bad feeling to all wicked man

For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals

Performed by DUB MYSTIC
Dean 'Digital' Pond, drums
Anthony 'Lion' Arhur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards

Also featuring
Dean Fraser,sax - Nambo Robinson,trombone - Chico,trumpet - Vin Gordon,trombone -Harry T.,percussion - Tony "Asher" Brisset,keyboards.

Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox, Washington, D.C.
Engineered by Jim Fox

I TRIED
I tried and I tried and I tried and I tried
To make them understand
I tried and I trried and I tried and I tried
But they just can't understand
I tried and I tried and I tried and I tried
To make them understand
But they just can't understand

The more victimization is up on their back
The more foolish they become
The more victimization is up on their back
They satisfy Lord for less

I tried oh Jah how I tried
But they just can't understand
I tried and I tried and I tried and I tried
But they just can't understand
This one turn them fool
That one turn them fool
So what are they waiting for
Fix up yourself and prepare to meet Jah
That will satisfy Lord for more

I tried oh Jah how I tried
But they just can't understand
I tried and I tried and I tried and I tried
But they just can't understand

Father die in pain
Mother die in pain
Slavery continue
They say we have no right no where
In no corner of the world

And I tried to make notice
But they just can't understand
I tried and I tried and I tried
To mek them know
But they just can't understand

Twenty-four hours make one day
They told us
Seven days make a week
And out of all that
They hold 365 days
They can only name you seven days

We beat drums by night
We beat drums by day
They take no heed
The church bell a-ring
And the children a-sing
And them still satisfy Lord for less

Son is waiting
For his sentence you know
Father in the field
Can't find nothing
And mother nah no money

My Daddy was sure
My Mommy was poor
Ain't got no money
Still no bother me
All I need to see is love
And unity

STREAM + ADD ► https://orcd.co/culturechantingon

"Chanting On" is an impressive compilation drawn from several critically acclaimed Culture albums spanning the 80's and 90's as well as earlier roots material.

Culture is reggae’s preeminent harmony group. Born in the 70′s golden age of reggae, the ever viable Culture garnered continual US and international acclaim for its long series of classic “roots” albums. Culture’s legendary “Two Sevens Clash” (Shanachie) was Reggae Album of the Year in 1977 and is acknowledged today by Rolling Stone Magazine (April 11, 2002) as #25 of the 50 all time coolest records (the only reggae album to make the list).

C&P 2014 Revolver Records
#culture #reggae #rootsreggae

Download Full Audio:

https://hearthis.at/deejay-den....noh/culture-best-of-

Autobiography

Joseph Hill was born in the rural Jamaican parish of St. Catherine in 1949, Hill began his musical career in the late 1960s as a percussionist. As the Rastafarian influence on reggae grew in the 1970s, he formed Culture and remained its driving force through more than 30 albums.

One of reggae's most enduring bands, Culture was led by Hill for three decades. He penned the group's best-known songs, including "Two Sevens Clash," "Natty Never Get Weary" and "I'm Not Ashamed."


Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Pan-Africanist Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.

Joseph Hill, lead vocalist and songwriter for traditional roots reggae group Culture, died on 19 August 2006. He was 57. Hill abruptly fell ill and died in Berlin while the group were in the middle of a European tour, according to his daughter Andrea. She did not know the cause of death.

In 2005, the singer, a devout Rastafarian, was honored by the Jamaican government for his contribution to the island nation's culture



Playlist

1. Culture - international herb
2. Culture - Disobedient children
3. Culture - Down in jamaica
4. Culture - I'm not ashamed
5. Culture - callie weed song
6. Culture - two sevens clash
7. Culture - its hard to live
8. Culture - tell me where you get it
9. Culture - black starliner
10. Culture - zion gate
11. Culture - poor people
12. Culture - legalization
13. Culture - outcast
14. Culture - long day a bwal
15. Culture - old tatoo
16. Culture - jah rastafari
17. Culture - one grandson
18. Culture - peace and love
19. Culture - satan company
20. Culture - wings of dove
21. Culture - five to one strip
22. Culture - lion rock
23. Culture - tribal war
24. Culture - money girl
25. Culture - walk in jah light
26. Culture - why am rastaman
27. Culture - humble africa
28. Culture - blackman king
29. Culture - poverty
30. Culture - How did i stray
31. Culture - have have
32. Culture - revolution time
33. Culture - fussing and fighting
34. Culture - be honest
35. Culture - riverside
36. Culture - peace love and harmony
37. Culture - mr sluggard
38. Culture - stone
39. Culture - Cousin rude boy
40. Culture - marcus
41. Culture - a slice of mount zion
42. Culture - addis ababa


#dj_denno #culture #reggae_roots



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Humble African · Culture

Humble African

℗ 2007 Fat Eyes Productions

Released on: 2000-01-01

Auto-generated by YouTube.

Reggae band Culture performing live in Capetown, South Africa on December 15th, 2000. This full-set video captures Culture on the night of their first ever show in South Africa, performing a huge 20 song run of some of their all time greatest songs to over 10,000 reggae music fans.

Set List:
Introduction 00:00
I Tried 00:16
Payday 03:35
Addis Ababa 07:52
Tribal War 10:37
Won't Somebody 12:52
Ganja Time 17:35
Legalisation 18:46
Revolution 22:24
Disobedient Children 25:44
Down In Jamaica 28:59
She Want Money 33:00
Rally Round 35:20
Trust Me 38:27
Jah Jah See Dem Ah Come 41:49
Jah Rastafari 43:44
International Herb 46:36
Get Ready 50:41
Never Get Weary Yet 53:43
Too Long In Slavery 56:42
Two Sevens Clash 01:01:32

Credits:
All Songs Written By - Joseph Hill
Lead Vocals - Joseph Hill
Backing Vocals - Albert Walker, Telford Nelson
Guitar - Robin Armstrong
Bass Guitar - Steven Samuels
Keyboards - Desi Hyson, George Koukao
Drums - Ken "Trini Jo" Joseph
Engineer - Afrique Kenyatta Hill
Producers - Joseph Hill, Pauline Hill
Mastered By - Jim Fox

This performance occurred as part of the first South African Reggae Festival. Produced in collaboration with Sanctuary Records, this recording was originally released on DVD in 2002, and licensed for DVD production to RAS Records in Europe and Revolver Records for Africa.

Please support Culture on their official online sites:
https://www.facebook.com/officialculturereggae
http://www.culturereggaeband.com/

🎤Submit your music: https://ffm.link/musicsubmissionrastavibration

Please follow Rasta Vibration on our official online sites:
https://www.facebook.com/RastaVibrationMusic/
https://open.spotify.com/playl....ist/2UPsLSLaxwWjN7Lx
https://www.rvpgroup.net

Subscribe to Rasta Vibration for more: https://www.youtube.com/channe....l/UCFdSvuyHZwNlQva_W

© 2002 Rasta Vibration Ltd.

#Culture #LiveInAfrica #ReggaeLive