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Wings Of A Dove · Culture
Wings Of A Dove
℗ 2005 Shanachie
Released on: 1992-06-15
Writer: Culture
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Culture is a Jamaican roots reggae group founded in 1976 originally known as the African Disciples. Up until his death in 2006 Joseph Hill remained the groups founding (and original) member. Garnering regular US and international acclaim for its long series of classic “roots” Culture were chosen as 1977 's 'Reggae Album of the Year' (“Two Sevens Clash”) and is acknowledged by Rolling Stone as the 25th best album of all time (as of 2002).
CULTURE
http://www.culturereggaeband.com
https://www.facebook.com/officialculturereggae
https://www.facebook.com/Cultu....refeaturingKenyattaH
Management: Pauline Hill
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#rootsreggae #culture #reggae
For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals
Performed by Dub Mystic
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards
Also featuring
Dean Fraser, sax
Chico, trumpet
Nambo Robinson, trombone
Vin Gordon, trombone
Harry T, percussion
Tony 'Asher' Brisset, keyboards
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
TRIBAL WAR
Tribal war can't solve the problem
Tribal war can't solve it at all
Just the other day I forward down a river side
Nuh fi go check Granny a scrub some clothes
As she smoke up her herb in her little chalk pipe
She say "Chah, not even the soap nah sudd again"
The other day I saw a ladies war
They were planning to march up to such house
They said they're not getting any justice in the kitchen
So they plan to make a big war with their big spoon
I said ladies where are you going
They said I'm going to stand up and fight for my rights
Another time I saw a youth man
With an M-16 just lying on his back
I said youth man tell me where are you going
He said "I'm going to stand up and fight for my rights"
We should live in love
War can't do a thing
The arms of gun is helpless
Fathers against son
Countries against countries
What we need is love
For Joseph,Respect.Written,produced and arranged by Joseph HILL.
Joseph Hill, vocals and percussion
Albert Walker, vocals
Ire'land Malomo, vocals
Performed by DUB MYSTIC
Dean 'Digital' Pond, drums
Anthony 'Lion' Arthur, bass
Ricky 'Swann' Richardson, guitars
Noel 'Barry' Aikens, keyboards
Also featuring
Dean Fraser,sax - Chico,trumpet - Nambo Robinson,trombone - Vin Gordon,trombone-Harry T, percussion - Tony "Asher" Brisset,keyboards.
Recorded at Mixing Lab, Kingston, Jamaica
Engineered by Fathead
Mixed at Lion and Fox Studio, Washington, D.C.
Engineered by Jim Fox
SLICE OF MOUNT ZION
A slice of Mt. Zion is for I
A slice of Mt. Zion is for I
I pray to Jah honestly
To please let me live honestly
Love my brother that's all I need
I need no riches just harmony
I'm willing Jah to lay down
At Zion doorway like a foot mat
Even the saints of Zion
Trod upon my back and enter in
I pray every day to see
The falling of the wicked man
I know that wickedness will prevail
But only for a little while
Cannot go to Zion with your force
Have manners and enter in Jah House
You cannot live here with your big gun
All you got to do is help me pray
Let's kneel on our knees and clasp our hands
And say Father please help me
Children having children
Poverty upon the door
I've seen white squall
Walking on the street
With man under arrest (yeah)
Satan is around us like a roaring lion
Seeking Jah children to devour all the days of our lives
Like a hungry eagle
Flying through the sky
Seeking form and soul to devour
But don't let him catch us
Give me strength oh Jah I pray
With thy manna up from Mt. Zion
And no one can give satisfaction
But thee alone
Sit up on thy throne and
Pardon our transgression
Stretch forth pity to thy children
In the morning sun
A slice of Mt. Zion is for
A slice of Mt. Zion belong to
A slice of Mt. Zion is for
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Autobiography
Joseph Hill was born in the rural Jamaican parish of St. Catherine in 1949, Hill began his musical career in the late 1960s as a percussionist. As the Rastafarian influence on reggae grew in the 1970s, he formed Culture and remained its driving force through more than 30 albums.
One of reggae's most enduring bands, Culture was led by Hill for three decades. He penned the group's best-known songs, including "Two Sevens Clash," "Natty Never Get Weary" and "I'm Not Ashamed."
Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Pan-Africanist Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.
Joseph Hill, lead vocalist and songwriter for traditional roots reggae group Culture, died on 19 August 2006. He was 57. Hill abruptly fell ill and died in Berlin while the group were in the middle of a European tour, according to his daughter Andrea. She did not know the cause of death.
In 2005, the singer, a devout Rastafarian, was honored by the Jamaican government for his contribution to the island nation's culture
Playlist
1. Culture - international herb
2. Culture - Disobedient children
3. Culture - Down in jamaica
4. Culture - I'm not ashamed
5. Culture - callie weed song
6. Culture - two sevens clash
7. Culture - its hard to live
8. Culture - tell me where you get it
9. Culture - black starliner
10. Culture - zion gate
11. Culture - poor people
12. Culture - legalization
13. Culture - outcast
14. Culture - long day a bwal
15. Culture - old tatoo
16. Culture - jah rastafari
17. Culture - one grandson
18. Culture - peace and love
19. Culture - satan company
20. Culture - wings of dove
21. Culture - five to one strip
22. Culture - lion rock
23. Culture - tribal war
24. Culture - money girl
25. Culture - walk in jah light
26. Culture - why am rastaman
27. Culture - humble africa
28. Culture - blackman king
29. Culture - poverty
30. Culture - How did i stray
31. Culture - have have
32. Culture - revolution time
33. Culture - fussing and fighting
34. Culture - be honest
35. Culture - riverside
36. Culture - peace love and harmony
37. Culture - mr sluggard
38. Culture - stone
39. Culture - Cousin rude boy
40. Culture - marcus
41. Culture - a slice of mount zion
42. Culture - addis ababa
#dj_denno #culture #reggae_roots
best of culture
best of culture video mix
culture mix
Joseph hill mix
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Cette vidéo a été publiée par G. Mickaël... pour vous satisfaire.
Culture-Why Worry About Them
#lyrics #culture #reggaelyrics #christian #god #jah
Provided to YouTube by Universal Music Group
Behold (2000 Digital Remaster) · Culture
Harder Than The Rest
℗ 2000 Virgin Records Limited
Released on: 2000-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
Composer: Lloyd Dayes
Composer: Albert Walker
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The Street King
Two Sevens Clash is the debut album by roots reggae band Culture, recorded/produced by Joe Gibbs at his own Joe Gibbs Recording Studio in Kingston in 1976, and released on Gibbs' label in 1977.
The album's title is a reference to the date of July (07) 7, 1977.
Singer Joseph Hill said "Two Sevens Clash," Culture's most influential record, was based on a prediction by Marcus Garvey, who said there would be chaos on July 7, 1977, when the "sevens" met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day.[5][6]
The liner notes of the album read: "One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgment -- when two sevens clash -- when past injustices would be avenged. Lyrics and melodies came into his head as he rode and thus was born the song "Two Sevens Clash" which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977 - the day when sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city."
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JAH BLESS! 💚💛❤️👌🔥
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la mejor cancion del grupo culture.
mis hermanos no tengo la traduccion completa pero estoy buscando la letra completa espero y les guste un cachito de lo que pude traducir ok, suerte!! buena vibra bye.
letra de why am i a rastaman?
Una gran pregunta que me plantean diariamente en la humilde calle ... muchos quieren saber la razón por la cual soy Rastaman ... Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman x (2) Lo que se debe a que , de la Babilonia, y la situación, su causa de la Babilonia, y la situación.
Cuando yo era un niño cerca de 8 años,
habia un cierto Rastaman que amaba a todos los niños y te trataba como un hombre. Incluso los niños pequeños que nadie se preocupa por ellos, el pidió a todos, y él nos dio las frutas y el amor especial.
Mucha gente me ve, mucha gente me pregunta,
¿por qué soy Rastaman, por Jah un tipo de amor que dio a todos. Muchas personas me ven, mucha gente me pregunta, ¿por qué soy un Rastaman, no hay mejor manera de expresar mi amor a todos y cada uno.
Un sábado por la mañana, un especial que pasará con este hombre, aquí vienen corrompáis Babylon ... se llevan este Rastaman.
Toda raíz de él, la hierba y la carne de su comida, lo tiran en una camioneta. Hacia arriba hermano un billón de años se llevan al rastaman. (1:55)
(3:32)
Cada ves que yo me pido a todos ¿por qué soy Rastaman, amo a mis hermanos y hermanas y yo no puedo renunciar a todos los hombres ... Yo solía escuchar a golpear el tambor y cantar, estamos en el bosque de tierras ... Todo el mundo me ve todo el mundo me pregunta, ¿por qué soy Rastaman, me encanta el ritmo del sacrificio que nyabinghii de creación.
Mucha gente me ve, mucha gente me pregunta, ¿por qué soy un Rastaman.
Reggae Culture Mix
Computers https://amzn.to/439Qrnx
Provided to YouTube by Universal Music Group
Jah Rastafari (2001 Digital Remaster) · Culture
International Herb
℗ 2001 Virgin Records Limited
Released on: 2001-01-01
Producer: Sonia Pottinger
Associated Performer, Vocalist: Joseph Hill
Associated Performer, Vocalist: Albert Walker
Associated Performer, Vocalist: Kenneth Paley
Associated Performer, Bass Guitar, Guitar: Bertram McLean
Associated Performer, Bass Guitar: Robert Shakespeare
Associated Performer, Drums: Michael Richards
Associated Performer, Drums: Sly Dunbar
Associated Performer, Guitar: Radcliffe Bryan
Associated Performer, Guitar: Willie Lindo
Associated Performer, Keyboards: Ansel Collins
Associated Performer, Keyboards: Earl Lindo
Associated Performer, Keyboards: Harold Butler
Associated Performer, Percussion: Uziah Thompson
Associated Performer, Saxophone: Cedric "Im" Brooks
Associated Performer, Saxophone: Felix "Deadly" Headley
Associated Performer, Trombone: Vincent Gordon
Associated Performer, Trumpet: David Madden
Associated Performer, Trumpet: Clive Hunt
Studio Personnel, Recording Engineer, Mix Engineer: Errol Brown
Composer: Joseph Hill
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During the Denkproducties seminar 'Purpose Driven Leadership' Simon Sinek talked about how to start a cultural transformation in your organization.
The biggest mistake that companies make when trying to make cultural transformations is treating it like a marketing campaign. There's a model you can use to help make big changes from starting small.
More information: denkproducties.nl/experts/simon-sinek
culture
cumbolo